begins where "Don't Count on your Fingers" left off: facing a blank screen and the materialness of the projection. It goes in depth into the future Eisenstein-like structure of Portabella's films which do not advance through a lineal narrative, but rather by a succesion of semi-autonomous scenes and almost always unexpected links. "A series or suite of situations that, although apparently unconnected, always turn about a thematic development that gives body and unity to the story without resorting to the use of an anecdote for plot continuity" (Portabella 1968). Antonioni, Bergman or Bu�uel come to mind in this, Portabella's most "anti-bourgeois" film."
Lucia Bose, Luis Ciges, Mario Cabre
Drama
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